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Faculty Work

Kyle Hackett, Circular Narratives. Portrait of two men in suits

Kyle Hackett, Circular Narratives. Oil on canvas 62 x 42 in.

 

Molly Springfield, Recto/Verso III, 2024–25. Symmetrical abstract graphite drawing

Molly Springfield, Recto/Verso III, 2024–25. Graphite on paper, 34 x 44 in.  

 

Charles Mason III, never knew its name, is it still together, or is it (gentle in spirit, gentle in name, hold me close), 2022.

Charles Mason III, never knew its name, is it still together, or is it (gentle in spirit, gentle in name, hold me close), 2022. Acrylic, oil stick, pastel, posters, tape, house paint, and fabric on paper, 105 x 100 in. 

 

Jennifer Sakai, When We Return Home' (composite image of artist's Grandmother (fourth from left) in Buddhist temple spring celebration Pre-WWII c.1930, combined with artist's own large format image).

Jennifer Sakai, When We Return Home. Composite image of artist's Grandmother (fourth from left) in Buddhist temple spring celebration Pre-WWII c.1930, combined with artist's own large format image.

 

Tim Doud, PSCW (M), 2025. Abstract black form over multicolored striped background

Tim Doud, PSCW (M), 2025. Acrylic on Fabric, 38 x 24 in. framed.

 

Hedieh Javanshir Ilchi, We are whirled asunder, 2024-25. Complex landscape that blends sky, water, earth, and clouds.

Hedieh Javanshir Ilchi, We are whirled asunder, 2024-25. Acrylic on Dibond, 72 x 54 in. Courtesy of the artist. 

 

Danielle Mysliweic, Pierce, 2025. Oil on linen armature on linen-covered panel. Red woven textile with diamond motif and thin, pointed section of blank linen exposed.

Danielle Mysliweic, Pierce, 2025. Oil on linen armature on linen-covered panel, 14 x 11 in.